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I have this assignment due and I will provide all the information and if you can

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I have this assignment due and I will provide all the information and if you can

I have this assignment due and I will provide all the information and if you can finish it earlier I will appreciate it and if there is anything let me know. Just upload an picture as the professor needs it because I won’t upload my picture.
Group Discussion, Psychological Selfie Portrait
Part 1 Creating the Perfect Image:
Take a photograph of yourself that is psychologically interesting. It MUST be inspired by an image from the textbook*. Use your phone’s camera settings to adjust the colors, zoom in, crop, etc. You can also use apps to transform your image; but be creative (there are some really interesting aging filters out there that are waaaaaay more interesting than putting on a kitten nose through Snapchat).
Food for Thought:Your selfie portrait must tell a story that you we all can interpret based on these elements:
1. Composition (Vantage point) are you central and up close? Significantly small and off-center? Zoom in! Or out!
Up close leaves no mystery, as opposed to far away
Central gives you the dominant role, off center may indicate a role reversal of central importance
2. Color; black & white, color saturation- vivid, faded. Use your phone’s camera settings to adjust the colors to suit the psychological interpretation.
Bright saturation may indicate a false intensity
Faded colors may indicate lack of emotion, loss
Black and white can tell of loss of vigor, or create extreme drama
3. Iconography: Props, clothing
Objects and types of clothing must add to the story of your mental and emotional status and lead to an interpretation.
Part 2 Written Analysis – Essay Format:
Your analysis of these two works of art should be evaluated in an essay format. Consider the following when crafting your essay:
A. Analyze your selfie based on the 3 elements:
composition
color
iconography/objects
B. Written Analysis Was the image you created successful? Does it create the psychological portrait you were hoping for? If so, why? If not, why not? (those that procrastinate don’t always doo as well)
C. Share the artist’s work that you took your inspiration from. This MUST be from the textbook. Is the inspiration evident? How was it inspired by the artist? Be specific.
Ok so now what was I supposed to do again? Make your own Psychological Self-Portrait using those cell phone cameras
Here are a few things you might consider doing:
A. You may create a fictitious character (a doppelgänger) like Cindy Sherman did. This broadens your possibilities. Make up a totally new you!
B. If you are camera shy, you may create a “stand-in” else that can be your model, but it must somehow be a representation of “you” visually.
C. Start by choosing an artist from the textbook as an inspiration; you do not have to copy them exactly, but you can do an homage.
D. Do a little research and put yourself in the artist’s shoes. For example, if you chose Frida Kahlo, consider why she made self-portraits and what kind of things she was trying to convey about herself (do a google search and look at more of her work).
Are you still lost, wondering how to even approach this? Take a look at someone else’s work:
Here is an example of this assignment done by some one else based in Cindy Sherman’s work.
This is Cindy Sherman:
Here is the Student work:
And here’s another one based on Caravaggio’s painting of Medusa from the Uffizi Gallery. This one is pretty meta because the original artist, Caravaggio, used his own face, in 1595, for his version of the beheaded Gorgo from Greek mythology:
This last example is based on an artwork called “Your Body is a Battleground” by Barbara Kruger. This student really invested some time into capturing the spirit of the original work of art.
Here are some tips:
Things to do:
Have fun.
Be creative.
Get someone to help you.
Use the timer mode on your phone, so…..no hands holding the phone. Make it a real portrait!
Things not to do:
No normal everyday selfies.
No environments/backgrounds that are vague or not directly related to your psychological portrait.
No waiting until the last minute. (Everybody can tell when you do).

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